- HIGH HEADROOM HIGH IMPEDANCE PREAMP PRO
- HIGH HEADROOM HIGH IMPEDANCE PREAMP PROFESSIONAL
- HIGH HEADROOM HIGH IMPEDANCE PREAMP SERIES
Specifications are subject to change without notice.
HIGH HEADROOM HIGH IMPEDANCE PREAMP PROFESSIONAL
And the two sound sources are coupled to an 18V high-headroom, low-noise, high-input impedance preamp with twice the dynamic range of typical 9V systems. The Avalon V5 Preamp / DI (Silver) is loaded with professional features including a low noise, high-gain, Pure Class A, microphone preamplifier, and a 10 mega ohm instrument DI input with zero. The MicroBass 3 also carries an onboard compressor, similar to the one found on several EBS amplifiers. You can even wire it in stereo to separate the pickup and mic outputs for connecting to a two-channel preamp. The built-in tuner makes it easy to tune between songs without the need of an external device. With 10 Mohms input impedance, it handles any type of bass – passive, active, or with piezo pickups. The EXTRA SPANKY 6VEL runs on a pair of 6L6 power tubes (for 30+ watts of power) or 6V6 tubes (for 20 watts of power). standard Spanky model) and a solid-state, diode rectified power supply to maximize clean headroom and punch. Closely modelled on the classic Focusrite ISA preamp designs that are now so sought-after, this adds more presence to high frequencies and ‘loads’ a mic in exactly the same way as a vintage design. The WA12 is a discrete single-channel solid-state mic pre with DI (direct input).
HIGH HEADROOM HIGH IMPEDANCE PREAMP PRO
If you run the Effects loop in stereo mode, the balanced outputs become a Left and Right output instead. The EXTRA SPANKY 6VEL features a new overbuilt, high current power transformer (35 beefier vs. When engaged, Air’s all-analogue circuitry switches the impedance to 2.2k and adds two cumulative high shelves, totalling a 4dB boost in the high frequencies. This high-quality mic pre is designed to give your tracks that pro sound you hear on records. Use the dual balanced XLR-outputs to tap the signal post and pre EQ at the same time.
HIGH HEADROOM HIGH IMPEDANCE PREAMP SERIES
Run the Clean and Drive channels in series or parallel. Harnessing UA’s Unison technology, this plug-in blurs the lines between analog and digital, giving you all of the hardware’s impedance, gain staging sweet spots, and sonic DNA. 17-volt,high-headroom, discrete Class-A preamp. The UAD Manley Tube Preamp plug-in gives you all the clarity and sheen of a Manley hardware preamp, faithfully modeling every stage of its overbuilt circuit with accuracy. The high signal level makes it suitable to use as a preamp in combination with any type of power amp. A discrete, high-headroom Class-A preamp use precision, high-speed circuitry for the highest fidelity and low distortion.
The preamp operates at a signal level equal to a professional mixing console which gives you plenty of headroom. It is engineered by EBS in Sweden with technologies from the famous HD360 and Fafner II amplifier designs. The unit uses balanced, low-impedance outputs to connect to digital interfaces, mic splitters, and mic preamps alike.The EBS MicroBass 3 is a 2-channel preamp, built exclusively with premium components. The DI input is single-ended, high-impedance (230K-Ohm) to maintain headroom and clean gain regardless of load. When used as a DI for unbalanced guitar level sources, the dBooster2 provides either 0dB or 8dB of gain, selectable from the front panel switch. By utilizing the 12/20dB gain switch, optimum balance between gain and headroom can be achieved. The net result of the XMAX preamp design is high headroom, low noise, wide dynamic range, extended frequency response, andmost importantmusicality and transparency, with smooth highs, solid deep lows, and everything in between.
The dBooster2’s Class A input also presents a high source impedance to microphones, which minimizes loading (damping) and improves headroom. Heritage Audio DMA 73 : 80dB Class A Microphone preamplifier, HI-LO selectable minimum input impedance. What’s more, each dBooster2 channel offers two levels of clean gain boost: 12dB or 20dB in Mic Mode, selectable by a front panel switch. The dBooster2’s input stages are designed like the front end of a high-end microphone preamplifier. When used as a signal booster, both channels of the dBooster2 increase the level of passive low-output ribbon and dynamic microphones with minimum distortion or coloration.
The dBooster2 can be a studio and live tool, making it possible to boost mic signals, mic up low volume sound sources, record direct to DAW, and connect with long cable runs.
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